Brenda Phiri and Tawanda Ngena
The Book Cafe came
alive on Saturday as scores of local female artistes gathered to
celebrate the International Woman’s Day through music and dance. The
show, which was organised by Pamberi Trust, in conjunction with the
Canadian Embassy and Female Literary Arts and Music Enterprise
(Flame), saw seasoned jazz artistes and poets taking turns to entertain
revellers.
“Pamberi Trust has been holding regular programmes like these since
2007 where women artistes are given a platform to enhance opportunities
in the arts in the safety of daytime. This one was special, however,
because the ladies came through to celebrate International Women’s Day,”
said Penny Yon, arts administrator of Pamberi Trust.
As is the norm with the Sistaz Open Mic, spirits were high with
revellers cheering the sisters who were rocking. The fun which kicked
off last Thursday resumed in earnest on Saturday afternoon with some of
Zimbabwe’s leading ladies of song and poetry showcasing their talents.
There
was Dudu Manhenga, Nama award winner Hope Masike, Rute Mbangwa, Clare
Nyakujara, Rudo Chasi, dancer-cum-singer Kezzia Magosha and Uza.
|
Audience dance to Kessia Magosha's 'Gumbo Mutsvairo' |
The poets were represented by the grandma of the spoken word, Xapa; Batsirai Chigama, RuTendo DeNise and Charity Hutete.
Both
the musicians and poets had a bold message for the women and menfolk in
the audience. Women want a level playing field, free of discrimination,
impediments or hidden agendas.
Xapa, who is mother to actress Ehrahya Mathazia, fired the first
salvo in her poem titled “History” which she described as “his story”. History,
she said, was biased against women, as it mainly focus on the exploits
of men at the expense of female luminaries like Cleopatra, Queen of
Sheba and Mbuya Nehanda, among others.
|
Roxanne Xapa Mathazia |
In one of her pieces, Batsirai spoke about the agony of a mother who
brings into the world innocent children, who if they happen to be girls
are subjected to sexual and other abuses. If mothers had a choice, she
opined, they would rather keep their babies in the comfort and safety of
their wombs.
|
Batsirai E Chigama |
Charity Hutete put the lid on the poetry segment with a call from the heart
for men to respect their significant other.When Charity passed the baton
to the musicians, the party was now in full swing.
|
Charity Hutete |
Chasi was equal to
the task with a powerful performance comprising love ditties “Wosa Sei?”
and “Sei Uchidaro?” She had the crowd singing along as she closed her
set with Steve Makoni’s “Handiende”.
Up next was Masike, and she proved to all and sundry why she walked
away with the Best Female Musician award at the recent National Arts
Merit Awards. In “Inyoni” (a bird), Hope urges women to spread their
wings and not impose boundaries themselves. Women must be proactive and not be crybabies. This is the message in “Ndoita Sei”, in which she calls
on women to be “go-getters”, even when it comes to matters of the
heart.
|
Hope Masike |
The show did not only entertain, but symbolised unity among the
artistes, with each of them denouncing gender based violence. Jazz
sensation Rute Mbangwa proved to be the cut above the rest with her
astounding performance. Love was clearly in the air when she climbed
onto the stage at 5.30pm.
She kicked off with “African Woman”, about the trials and
tribulations of a woman who is “full of love but often mistreated”,
followed up by “Mufudzi” (true love is not determined by fancy job
titles), James Chimombe’s ‘Buhera” which she cleverly blended with
Oliver Mtukudzi’s blockbuster hit “Watitsvata”.
She concluded her set with Marshall Munhumumwe’s Rudo Imoto”.
The
curtain then came down in style with the “Tisaparadzane” hitmaker
Plaxedes Wenyika giving an afro-soul music experience for the rest of
the evening. |
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